"I’m always writing something, and all the while I have four or five story ideas buzzing in my head."

By Anthony S. Policastro

Newly-published author, Scott Fields talks openly about his writing, how he does it and his newest book, Summer Heat.

Here is the synopsis of Summer Heat:

When she was 17, there wasn’t a man alive she would let get near her, and when she was 18, there wasn’t a man she would keep away.

She stood five feet seven inches tall, weighed one hundred twenty pounds, her green eyes sparkled like brilliant cut emeralds, her inviting full lips always ruby red and moist. Women universally hated her, men continued to hold doors for her long after she passed by - just to watch her walk away.

To imply that Jessie exuded sex would be an understatement, akin to inferring that water was wet.

Ninety-nine point nine percent of the men in Steam Corners wanted her, but she only wanted one man, Spencer Deacon. He was everything that she was not, even-tempered, amicable, well respected and kind. The one thing that Spencer didn’t want was Jessie, and his firm and undeniable rejections infuriated her.

What followed was a series of sordid events involving murder, deceit, betrayal and the conviction of an innocent man.

ASP: I couldn’t help but notice that your latest novel, Summer Heat, is quite diverse from some of your earlier novels which were small town, nostalgic works. Why is this book different?

S. Fields: All my life I’ve had this obsession with ideas for stories. I never know when one of these germs is going to somehow penetrate my head. I certainly have no control of it. It just happens. I’ve written 12 novels, 8 screenplays and 13 short stories, and each one of them was inspired by one of those germs that was implanted in my head. I’m always writing something, and all the while I have four or five story ideas buzzing in my head.

ASP: Bestselling author James Patterson has the same problem. Maybe you could give us a little history of your writing career.

S Fields: All my life I’ve always wanted to write. I didn’t really get started until I went to college. Believe it or not, I turned down a contract from the Detroit Tigers, so that I could go to college and learn to write, a decision I’ve questioned more than once. The sad part is that I learned that nobody can teach you to write. The only way to learn is by simply writing, and I mean writing everyday. To hone the craft to an art form, one must be dedicated to the point of obsession. After college, I continued writing short stories and was lucky enough to have four of them published. Later, I began to write novels and now my fifth one has been launched by Outer Banks Publishing.

ASP: So you actually turned down a chance to be a professional baseball player. That must have been a difficult decision.

S Fields: You have no idea. I was drafted in 1966 after graduating from high school. There were over 700 young men in that draft, and I was the 34^th pick. You better believe that was a tough decision.

ASP: How long does it take you to write a novel?
S Fields: Up until a year ago, I was working a full time job, and most of my books would take about a year to write.
ASP: Where did you get the idea for this one? Was it another one of those germs from out of nowhere?

S Fields: I was driving along the highway. My wife was asleep, and my mind was in neutral thinking about what I was going to do when I got home. The next thing I know I get this idea about a young, sleazy woman who loves to party married to an older, serious-minded farmer. Every man in town wants her, but she wants a young, Afro-American man. To her frustration, this young man wants nothing to do with her sexually.

ASP: I’m a bit surprised that someone who writes warm and fuzzy stories could write such a book.

S Fields: Most authors have a certain genre that is their expertise. It is a genre in which they excel. Stephen King is famous for his books of horror, and Danielle Steele writes women’s fiction. I write whatever excites me at the time. I have no niche or particular genre to call home. I even wrote a book about two men who went on a killing spree back in 1948. In a two week period, they murdered 6 people in Ohio. Even after all these years, it still remains the worst killing spree in Ohio’s history. On the other end of the spectrum, I wrote a religious book called Just Believe. Actually, I hope I never settle for one particular genre. I think I would get bored.

ASP: Where are all of these projects that you have written? You’ve only had four novels published.

S Fields: They are buried somewhere in my computer. Generally, when I finish a project, I’m aching to get started on a new one. Many of my projects were written years ago and have been forgotten.

ASP: Have you ever dreamed of becoming a nationally-known author?

S Fields: I’m sure every writer has a one time or another dreamed of seeing his books in stores across the nation. I like to keep things in perspective. I consider writing as my hobby, then I’m never disappointed.

ASP: Do you think Summer Heat will be successful?

S Fields: Not to appear immodest, but, yes, I do. Women’s fiction in 2004 represented 55 per cent of all book sales. Today’s trend is thrillers, but women’s fiction is still right up there.

_______________
Summer Heat is available in print from The Outer Banks Publishing Group Bookstore at a special discount of $9.99 and on Amazon, the Kindle, Barnes and Noble, and bookstores everywhere.

Paperback: 212 pages
Language: English
ISBN-10: 0982993110
ISBN-13: 978-0982993118
Product Dimensions: 8 x 5 x 0.5 inches
Shipping Weight: 10.4 ounces

Author Salon Subs for The Agent Query - Writers Get More and More Requests for MS

Will Author Salon replace the agent query? The young and upstart Author Salon has already received "over two dozen requests for partials and full manuscripts from major publishers such as Random House, Penguin Books USA, Grand Central, St. Martins and Ace Roc for both fiction and nonfiction projects verging on break out. Literary agencies, including Dijkstra, ICM, AEI Films, Fine Print, Kimberley Cameron Associates (photo on right), and more, have asked to see over three dozen projects across a wide variety of genres."

It appears that Author Salon has made good on its boast to be more than just a YADS (Yet Another Display Site). Or has it? One of the site admins, Rebecca Kaplan, talks to Writer's Edge about the drama and labor associated with working to replace the agent query.

WE: Rebecca, tell WE readers, what do you believe clearly separates Author Salon from the YADS crowd?

RK: First of all, we don't publicly display the writers or their work. All content related to projects on AS is viewable only by members, or business professionals who have site logins. Second, the designation of YADS implies the point is only to display writers, and that the act of mere display is ultimately pointless, but AS avoids that definition entirely because it serves as an ongoing and effective bridge between its aspiring authors and professionals in the business, actively reaching out to major editors and literary agents to promote a variety of projects each and every month. Finally, our peer-and-pro critique delivery, our tough critique rules and criteria have been developed with the assistance of these same professionals, our goal being to guide all our writers through the project development process in a realistic and methodical manner with publication as the goal. 

WE: The agent query process can be very frustrating for a lot of writers, so having a professional source that not only guides the writer through project development but also handles the query process when the time comes is almost too good to be true. Can you tell us more? Specifics?

RK: Within the past six weeks we've conducted at Author Salon what we call a "Literary Showcase Event," taking the best projects and writers on AS and introducing them to publishers, and agents as well. We've received a huge number of requests for manuscripts in just about all genres, from women's fiction to fantasy to upmarket--which is no surprise since the stories and the writers are amazing. One of our writers, Richard Hacker, for example, has had over seven requests for his fantasy novel, THE FIVE PENS OF JOHANNES, and Kari Pilgrim, an upmarket writer, at least eight requests for her novel, HALF OF NO. One of our professional authors, Janice MacDonald, has received five requests for her YA/F, WHALE TALKER.

WE: How does a writer know if he or she is amazing enough? Who decides?  Just other writers or ...?

RK: Agent moderators, faculty editors, and admins all play the pro role in our Editor Suite forums, selecting and editing ... and to a lesser extent in our In Production I forums for new members.

WE:  The pro review aspect of Author Salon singles it out from the YADS types, but aside from the internal editing process on your end, what else accounts for these successes?

RK:  Our method of showcasing the work to professionals. We use a format similar in many respects to the format agents use to pitch work to publishers. The emphasis is on presenting the work in its true high concept light, and other market-relevant information is also included, writer platform, credentials and so forth.

WE: And how difficult to get accepted into the Author Salon community?

RK: If you're a serious writer, it isn't difficult. We've improved our screening process over the past couple of months to avoid including writers in the community who we feel are hobbyists, as well as those who obviously wish to use the site as a YADS. We also screen for those who cannot address fundamental issues regarding their ms or who fail in a very visible way to grasp basic market reality. Writers who make snarky comments in their profile or grandiose comparisons to their work, or both, are red-flagged immediately.

WE: Grandiose comparisons?

RK:  Comparing work to a cross between Jules Verne and Carlos Fuentes with a side of Jodi Picoult thrown in for good measure. If Carlos Fuentes had written 20,000 Leagues Under The Sea with the sensitivity of Jodi Picoult.

WE: [whooping laughter] Are you joking?

RK: No, not at all. In some way, I wish I were. Writers like this need help, desperately, and we just can't allow this low level of knowledge into the community. They need basic mentoring, beginner workshops, whatever.

WE: The comparables sound so crazy it actually might rate a read.

RK: [laughter] I have to admit, I would at least read the first page!

WE: By the way, are you still offending writers? The last time one of your site admins, Connie Chenowith, spoke with WE you guys were suffering an attack of Offended Writer Syndrome.

RK: The OWS case load is down to zero at the moment. The last few lived up to stereotype, posting a lot of melt down and paranoid volcanic noise on AS because their projects were not included in the Literary Showcase. No surprise there ... And a few writers whose AS applications were rejected have gone off to snark and snipe around, but that's predictable too.You just can't avoid it. But we're actually relieved since their excessively juvenile behavior is proof we made exactly the right decision in the first place.

WE: It might also be a form of career suicide? If AS is on the radar of the publishing industry and--

RK: They phase into a false identity, step number one, disguise who they really are online in the belief that people in the business can't pick them out from the general blather and paste them onto the literary no-fly list.

WE: Literary no-fly list? Are you kidding?

RK: Yes, I'm kidding. The first rule of the literary no-fly list is that there is no literary no-fly list.

WE: Scary ... Anyone we know on the list?

RK: [laughter] What list? Who in Larry David's name has the time? ... Better to focus energies on more productive things, don't you think? I love Curb Your Enthusiasm.

WE: We all love Larry, who doesn't?  And good luck on Author Salon with keeping the case load down to zero!