Monday

Michael Neff Loses it At Algonkian Novel Workshop


Yes, that's him. Michael Neff. And where is he? In the AEI Films and Books office in LA? Yes, that's it. He was holding a workshop there, attempting to talk a few genre writers into analyzing screenplays before rewriting their novels. So why does he look crazed? He's rejecting a bad manuscript, or maybe a bad film pitch. That's what he's doing. A pitch too far, and now, he's lost it. He tried to be patient, but it didn't work. The writer was a narcissist, a flipping ego maniac, thus escorting Neff to the brink, to the point where he actually resembled the Cage man himself.

Look at him! What is he saying?

"I'm sorry, Alva, it's just too late. Too late to add a plot line with a cliffhanger. It's all TOO LATE!!!"

To which the now terrified writer replies: "I'm sorry, Mr. Neff, I'll search passionately for a plot, and premise first, yes ... a premise that will sell, and--"

"TOO LATE!  TOOOOOO LATE!"

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Author Salon Reviews of Craft on Algonkian

Announcing that Algonkian is adopting Michael Neff's craft advice observations and reviews included at Author Salon for all Algonkian writer events and workshops. A summary of a sampling of advanced craft articles are found here.

Sample from a review article as follows:

A STUDY IN THIRD PERSON POINT OF VIEW
      Lessons and Readings Necessary To The Creation of a Competitive Commercial Manuscript

   By Michael Neff

Let's get right to the point on this issue. Yes, we know that CATCHER IN THE RYE and HUCKLEBERRY FINN could never have been the famous novels they were without the engaging first person voice of their protagonists. And yes, first person seems to be in vogue with paranormal YA and some fantasy here and there, however, third person point of view is the best way to relate a dynamic work of fiction, hands down. Unless the first person voice is so remarkable, unique and/or compelling that the novel could not exist without it, third person is strongly advised.

For purposes of this study, we define four levels of third person point of view (3POV) as follows:

  • Author-POV
  • 3POV Distant
  • 3POV Close
  • 3POV First-Close
The Author-POV or APOV, refers to the author, the detached or "omniscient narrator" who steps in now and then to set the scene or make artful commentary at the right time (just *please* don't address the reader directly because that is so irritating and breaks the reader's immersion into the fictional dream).  3POV Distant or 3POV-D occurs at such time the narrative focuses on a specific character and we watch her or his actions as if we are the camera actively filming this character. 3POV Close or 3POV-C takes us into the character's head and camera viewpoint shifts to the character, i.e., we see or experience, for the most part, only what the character is viewing or experiencing. 3POV First-Close or 3POV-FC dives deeper into the character's head and effectively mimics first person POV, but naturally without the usual limits of first person POV because the author can cut from the 3POV-FC and pull all the way back to APOV.
More at Author Salon Reviews of Craft on Algonkian
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